## Patterning

I’m really disappointed because I’ve realised that I won’t be able to get my proto-type finished in time for my mid-point review. I think it would have received a really good reaction from my peers.

But I don’t even have time to dwell on it and have cracked on with things so that I have something half decent to show.

The point of the mid-point review is for my peers and tutor to see where I am so far and as this is taking the form of a group crit (much like the one the full-timers had last month – see earlier post) it means that they need to try and understand what I present to them without me having to explain anything. But even if they completely misunderstand it help me development and amend where I’m going with the work so that I can head it in the right direction from then on.

As I’ve been exploring the traditional methods for producing Islamic geometric patterns (which is a new practice to me) I am quite proud of where I’ve got to so far – but will anyone else seeing it for the first time appreciate the result of my hard work? Also, would they need to have an interest in this area in the first place to then appreciate this type of art?

What will be most annoying is that these examples I will show are just on paper/card. And I wanted something digital and interactive at this stage. Honestly, it would have been way ahead of the game for me to have something ready at this point of the course that was a working prototype of an interactive work but it would have been cool because at least the rest of the students would understand where I was going with this. Anyway, I have faith that they will ‘think/look outside the box’, so to speak, in regards to my work – whether they like it or not.

In the above gallery are images of the stages I went through to get to the last piece which is a large hexagon broken down into further hexagons, triangles and circles to produce a geometric pattern.

You will notice that I go back and forth with the first grid designs and this is because I did soo many sheets, and at some stage or another I would realise that I had made a mistake and would need to start over. The grids or patterns wouldn’t look wrong and wouldn’t necessarily be wrong in themselves but I was trying to follow a particular strategy as laid out in an example from Daud Sutton’s book ‘Islamic Design: A Genius for Geometry’. I wanted to follow this to a ‘T’ up to a certain stage. So until I got to that stage – if everything wasn’t exactly like he’d shown then it would be wrong.

After producing the ‘grid’ and formations of hexagons within circles I then photocopied the sheets so that I could develop the patterns within the grid further. This was the stage where I would finish copying the book and start my own additions in patterns. If I ruined these photocopies I would still have the original larger grid to go back to. After deciding on the main hexagons (one large and one small) to break down further I then inked the designs on to another photocopy. I then photocopied this (yeh I know – there are trees out there waiting for revenge) so that I could cut out the main shapes within these bigger shapes. The handy thing about the cut-out template is that I can then put the shapes together on a large plain sheet of paper which has no grid and the hexagons fit together as they are already proportioned correctly, the grid would therefore be invisible.

I like the effect of light coming through these cut-outs. This is why I would love to experiment with light and how it could be used in an interactive way at some stage of my project.

This is where I moved on to the large A3 black card and started drawing out the very large hexagon made up of smaller hexagons and filled these in with the designs from the templates I had cut. Then after filling in all the parts I was left with the final design (below) which I am quite happy with – it looks much better in reality as the pencil shimmers with light and is a great contrast to the black card.

Tonight I plan to turn this in to another template and have further uses for it – so watch this space 🙂

**Explore posts in the same categories:**Sample work/designs/patterns

**Tags:** card, circles, cut-outs, Daud Sutton, design, drawing, geometric, grids, hexagons, Islamic art, light, mid-point review, paper, patterns, pencil, practice, template, triangles

March 21, 2009 at 6:09 pm

Salamat,

I came across your project when a negative review of my book inspired me to search for some more positive, or interesting, responses online. I was very pleased to see the book being put to good use for your project and just wanted to let you know that I’d be happy to be of assistance if you want.

Looking at your images I did have one comment. For constructing hexagonal-triangular grids squared paper is not a good choice. The hexagonal-triangular grid doesn’t lie on the same points as a square grid (no matter how small the squares). I would always use blank paper for construction work, however if you want to use paper with a grid printed then isometric is the only viable choice I know of for hexagonal designs. Hope this helps.

Sincerely,

Daud