Kinetica Art Fair 2010
If anyone went to the Kinetica Art Fair last week, I’m sure they would have been as excited as I was. One thing to note for next time – don’t stand still for too long as something will either wheel itself into you or will prod you in the back. Things were moving of their own accord (from all appearances). There were mobile-like metal structures that expanded (one of which nearly knocked me out) and there were glass and metal balls chasing each other or sticking to objects using magnets.
Most of the work required knowledge of electronics, engineering and many other hands-on crafting and technical skills to create.
Here are a few photos I took on the day (on my mobile so quality isn’t that great):
These sculptures looked amazing. Thin wire was used along with magnets both repelling and attracting pieces. This allowed for the work to look like it was floating in mid-air and also kept in place by invisible forces. It must have taken a lot of time and effort to get these as accurately placed as they were. For much better images and more of Hans Kooi’s kinetic sculptures have a look at his site: http://www.hanskooi.com/
Further sculptural work was exhibited by Davide Angheleddu who uses the laser sintering of nylon powder to create these beautiful sculptures of components from marine plankton:
For more images and information on Angheleddu’s work see his site: http://www.davideangheleddu.com/
An inspiring piece for me personally was the Moiresphere by Dianne Harris (founding director, and curator of Kinetica Museum). I tried to take photos that illustrated the construction of this piece and it actually looks more complicated in the images. There was a spinning object in the centre surrounded by mirrors on all sides including triangular shaped ones to fill the corners of the box in which it all sat. This created the illusion that there were many spinning parts and at some angles made it look like many more were to be found in hidden crevices.
This reminded me of some of the other art works I have come across in the past that utilise the reflected kaleidoscope effect. It works every time and makes for a curiosity the audience is eager to explore and understand. I am hoping to get this kind of effect from my own work.
Another example of engaging the audience was apparent in many of the pieces where the visitor was encouraged and actually compelled to create the events. In the Hydro-Acoustic Big Bang Filter (below) you had to place your hand over a sensor in order to get the water in the tubes to rise and to create the sound. Here’s a quick explanation from their own site:
“The sound used in the installation is an audio manifestation of the Cosmic Microwave Background (CMB),widely believed by cosmologists and astrophysicists to be residual radiation from the Big Bang itself, some 14 Billion years ago.” (Excerpt from http://www.interactive-agents.com/kinetica_info.html)
Another piece which has been photographed and used a lot for the show catalogue as well as on the web site is the Homos Luminosos by Rosaline de Thelin. This was created using many fibre-optic wires which were scratched in order to have the light catch at different points within the wire. These were then placed together to create the outline of a human figure. Her work is made up of three of these figures hung to look like supernatural spirits floating just above the ground.
There were also some very simple constructions tht were very eye-catching. Liquid Athletes was designed and created by Nimra Javaid along with a group of students from Thames Valley University.
It was created using overhead projectors (the kind we used to have at school before the latest ones were installed), coloured plastic, and some tubing to allow for the water to be dropped into bowls in time to a human heart rate.
A really cool thing about the Kinetica Art Fair was that the artists were mostly around, either keeping people interacting with their work, demonstrating it, or just ready to answer any questions. One of these friendly artists was Hugh Turvey who was very willing to speak about his work, future project plans and eager for feedback too.
The added touch of colour to Turvey’s X-ray photography provides the element of heat or energy inside the objects indicating either movement and growth. It works well in plants, human body parts as well as mechanical objects like the motorbike which can be viewed on his site: http://www.gustoimages.com/portfolio/x-ray/
My final image is of Waves by Paul Friedlander. He’s widely known for his work producing Kinetic light sculptures created with a knowledge of physics. I’m not going to even attempt to summarise this so please have a look at his site where you can find a wealth of information and examples of his work: http://www.paulfriedlander.com/
The above image came out quite nicely but will never do justice to the live movement of the waves which you’ll have to try and see for yourself at one of his next events. The colours are beautiful and set against the dark background with minimal lighting really help them to stand out. They looked almost like spinning ropes twining around each other but never becoming tangled. ‘Mesmerizing’ would be the best word to describe it.
I came out of the fair with a real buzz 🙂
Tags: Davide Angheleddu, Dianne Harris, fibre-optic wire, Hans Kooi, Homos Luminosos, Hugh Turvey, Hydro-acoustic Big Bang Filter, Interactive Agents, kinetic, Kinetica Art Fair 2010, laser sintering, Liquid Athletes, magnets, Moiresphere, Nimra Javaid, Paul Friedlander, physics, Robin McGinley, Rosalin de Thelin, sculptures, wheels, X-ray photographyYou can comment below, or link to this permanent URL from your own site.