Boring title I know but it’s late and I can’t think of anything better. Anyway…
I feel a little restless when I’m at work where I suddenly remember something that needs to be done for the project or I think of an idea that could help solve a certain issue with the practical work but I’m unable to do anything till I get home in the evening, by which time I’m usually too knackered or think of something else that also needs to be done. It is the first time since starting the course that I’ve really felt the disadvantage to being part-time.
Progress with materials: I was originally going to get some aluminium laser cut but that was going to be quite expensive. Then a very kind professional sculptor (Sahand Hesamiyan) advised me on the possibilities of having it water-jet cut instead. So far this appears a better and possibly cheaper option and without the potential to leave burnt edges where the shapes have been cut out.
I’ve prepared the pattern file in Illustrator, converted it to DXF (which is a CAD file) and have sent it off to find out how long the machine will take to cut the pattern which is where the cost starts to mount up. As it’s quite intricate compared to the kind of things they usually cut (like mechanical parts) the cost will probably be quite high (relatively speaking). But I’m hoping that even then it comes in at a reasonable price, compared to the laser cutting option. Will give an update once I find out.
The full-timers on the course have speedily got into the organisers mode and got the cogs turning in terms of getting the show sorted. Not one to sit back and do nothing, I’ve contributed some time in measuring our exhibition spaces and drawing up the floor plans. These were sent to the group, and are especially important to the on-liners who are unable to come down (some being abroad) and who will need to have an idea of what the physical space will look like.
It really makes me think about all that is involved for solo as well as group shows and this process makes you think about things from a different perspective. I’m totally more in tune with the importance of exhibition spaces being suitable and in a way I now have more refined ideas of what would be perfect and what isn’t but would do anyway. And also how to make the most of what you have. Now, what I’m actually hinting at is the fact that the space our group has been allotted in the MA show isn’t really as big as it should be (simply because we’re having to accommodate the space rather than accommodate our work. But compare this to how much space the other larger groups have to share and, well, we’re not as bad off.
Plus, if I get the sculpture looking good for this then I may have a better chance of getting this and bigger work shown at a local gallery.