Posted tagged ‘Unveiled’

Tutorial – notes and ideas stemmed

June 8, 2009

Date of tutorial: 03/06/09

Tutor: Jonathan Kearney

It’s been a while since my last tutorial so it’s interesting to see my blog posts being looked at from the perspective of someone who visits after a while and basically catches up with what I’ve been doing.

Jonathan asked about my recent activities and I gave him an overall summary similar to the update in my previous post. He then asked me about various subjects such as Arabic calligraphy and whether this can be used in m project. Something you may be aware I have considered a while back. He suggested I experiment even if it doesn’t go to plan. At least that way I can learn from the experience and progress through it knowing I gave it a shot. I guess by giving all your ideas a chance to formulate and be tried out means there’s less chance of regret later.

Jonathan also reminded me to check out his write-up on the uni wiki about reflective blog writing and showed me some of the bullet points that would be good for me to use in assessing my older posts. The intention would be for me to question myself about how/what I was thinking at the time of writing the post and compare that to how/what I’m thinking/feeling now. Have I changed my views on certain subjects? Do I feel the same about them?

We also discussed the requirements for the essay which although not due till September is still something I need to start focussing on. It’s a 5,000 word essay about contextualising my project. I think I had difficulty in understanding what exactly this meant when I first started this course. And people use the word ‘contextualising’ aaaall the time at uni (no exaggeration). I think it’s one of those words that means a lot and does a good job in getting a point across but is sometimes used to fill gaps in explaining an artist’s thoughts on their own work and where it fits. So it’s handy and vague enough to be used all over the place.

My understanding (now that I’ve also discussed it with Johnathan) is that it’s about looking at what’s going on in the world or the circle of work around you and seeing where you or your work belongs. This could be from any perspective really and can sometimes be very subjective but where (like in this essay) you have to address it for formal writing you need to be quite objective. You also need to acknowledge that there might not be an allocated slot waiting for you to park yourself and your work in. Or there might be one but it’s over crowded. Or what if you have to make your own patch of grass in the field? Whatever you do you have to back it up. And so I need to think of a relevant subject to discuss.

I could do something that looks at contemporary middle eastern art – especially as I did the lengthy posts about the Unveiled exhibition at the Saatchi Gallery. But I think I’ve drained myself on that subject. There really are so many possibilities and subjects I could cover so I’m going to give myself a few days to really think about it.

Our mini deadline is for June 22nd by which time we must provide our tutors with a title, abstract and bibliography. I better get my skates on.

So overall we had a good discussion about project ideas that I can experiment with and subjects I could consider for my writing. Below I have typed out the actual notes I took during the tutorial:

Maybe write a reflective summary on each point discussed previously in for example the Saatchi post.

Or for example after completing one task think about it at a deeper level – How did I feel about this? Did it fulfill it’s goal? Was I frustrated? If yes then why? If not then why not? Does it mean enough to me?

Refer to content on wiki about reflective blog writing

Possibilities of using Arabic calligraphy in my work – why not experiment?

Digital surface has no limit in terms of scale so could zoom in on detailed work

Using existing ideas of fragmented parts making a whole, how about words within words within words so that as you keep zooming they appear just as the first word did to start with. Would this then be only calligraphic text or normal arabic writing? Both are very different – maybe they could be combined?

Is there software that can produce an outline and then fill the shape of the word with other words provided? Maybe it could be created?

The word Allah (swt) repeated within itself has strong metaphorical message.

If it doesn’t work then so be it. You’ll learn something from the experience anyway. Then the reflective questions come into play and you go through the process of fully understanding how that experimentation made a difference to the project as a whole.

It could be interesting to look back at the Saatchi post now and ask myself about what I wrote and why I wrote with focus on certain aspects.

Essay abstract (roughly 200-300 words), title and bibliography are due 22nd June!!

Contextualising – understanding where you stand. Could be saying ‘this is one angle and this is another’

It is important to be objective and know what’s going on around you even if you don’t like it.

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Before, during and after (pt3): Unveiled – Saatchi Gallery

April 17, 2009

This post is a continuation of the previous two parts:
Before, during and after – Part one
Before, during and after – Part two

After After much contemplation I wonder if ‘Unveiled’ was a deliberate choice of name intended to provoke feelings of negativity? The use of the word ‘unveiled’ means that something is usually bought to everyone’s attention – something that might have been hidden behind the veil? Posters using images from Shadi Ghadrian’s ‘Like Everyday Series’ seem to give the impression that the content of the exhibition is largely related to a Muslim’s way of life and therefore a truth is being uncovered.

As it is Muslim women that wear the veil, this is a direct link of association. However, unknown to the general public, not all women wearing a veil did so just because they were made to, or, as everyone is led to believe, because they are oppressed. The women in this country are a great example – they have no social, local or political pressure to do so. If anything, it is going against the social norm to do so and they are facing up to society’s criticism. So when someone then sees that poster of a large hijab (scarf) and only an iron, pan or knife in the middle where the face should be, what are they likely to think? That a Muslim woman has no identity and is only distinguished by her domesticity?

As a young Muslim living in this country I think it is so important to educate others and give them the opportunity to discover new things. There were a few items in this show that were great to see. Others I personally would have left out. If I could question one thing about the exhibition it would be if there was any thought about how the public would be educated about the cultures and roots of the artists and if that was done fairly? Art is a great form of communication and if we could use that to spread some understanding and not ridicule or scrutiny then it would be very useful to forming an open-minded society.

I wonder at the motivations of the artists I’ve discussed above and Andy suggested I try and contact them. This is not going to be an easy task but I think I’ll give it a shot. You never know – the stuff in the brochure might just have been written to provoke reactions and encourage visits to the exhibition?

I’ll keep you posted of any replies I get.

This whole exhibition has provoked many thoughts with me, and because of the many contradictory aspects of individual works, it has led me to question my own agenda in being an artist and my own reasoning behind what I produce. Does my work have to be Islamic? If I am Islamic, will my work not automatically be Islamic too?

Below are further images from the exhibition: